Maestro

From last post…

“You guys shouldn’t be here!” [Leticia] whispered. I asked what she meant. “I mean that everyone here is…” she glanced to my left and gasped. I looked in that direction and saw a pair of guys glaring at me. They looked familiar but it took me a few seconds to place them: they were the vampires Leticia was with when we first met her. They strode toward us.

“Pike,” I said, “are we crashing a film festival of the undead?”

“You brought them here?” snapped one of Leticia’s former companions.

“She had nothing to do with this,” I said.

Other people in the crowd were starting to look at us. “We’re just here to see the Pickman film,” said Pike.

“You’re not welcome here!” hissed the second guy. I think he’s the one Pike hit with his sword in our first encounter. He opened his mouth wide, exposing his fangs. “You will regret this intrusion.”

“Ho ho!” said Ingrid. She pulled from her purse a metal rod and shoved the purse at me. “You want a piece, Twilight?”

I didn’t find out until later that Ingrid was holding a collapsible baton. The reason I didn’t find out is that we heard a voice say “Stop.” It was an interesting voice: calm, commanding, and with the purity of a struck tuning fork. Everyone was silent.

I looked around and saw a figure that I somehow knew was the source of the voice, even though his back was to us. He was wearing a long, dark coat and had hair to match. He was standing in front of an open door and we saw his pale face in profile. He raised his right hand, pointed into the room he was standing in front of, and went in. I followed the direction without questioning it for a second, and it appeared that Ella, Pike, and Ingrid were equally compelled.

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We found ourselves in a classroom, facing two men. One was the person who directed us into the room, a man whose face had a refined majesty that evoked the portrait of a great historical figure like Washington or Jefferson. Or Lucius Malfoy from the Harry Potter movies. The other was a man with a beard and a scar near one eye, and I realized he must be Bertrand, one of the vampires Ella met at the bookstore. Ella, Pike, Ingrid, and I stood in the middle of the room while the other people took places around the walls. I spotted Leticia, who looked worried.

“Greetings,” said Maestro Nosferatu or whatever he was, in that same fascinating voice.

“Hello” I said. “Nice to meet some fellow film fans.” I gave Leticia a small grin, and she responded by widening her eyes and shaking her head.

“Well. An insouciant [I had to look that word up] young man who is acquainted with our sister Leticia and whose company includes a warlike Norsewoman. Arthur Lewis Ormand, I presume.”

“Yes.” I was a little surprised, which Maestro appeared to pick up on.

“I find value in the public chronicles of the hidden world. There are others who do not. Leticia has told you this.”

“She has. She’s not the reason we’re here, by the way.”

“You need not fear for her. What you will do is tell me why you are here.”

I explained our earlier run-in with Pickman and that we thought the film was by the same man. Maestro asked his people if Pickman had made an appearance at the festival and he hadn’t. Next he spoke to Ella, asking her if Pickman was connected to the lore she discussed with Bertrand; Ella said she was unsure.

Maestro and Bertrand had a brief conversation and Maestro looked at us. “One of us will deliver the Pickman film to you,” he said, “if we feel it would be…appropriate. The four of you shall leave, unimpeded. Bertrand shall accompany you, as there are some things he wishes to discuss with Miss Sherrinford.”

Maestro then looked at me and everything around us seemed to grow dim, as if we were on a bare stage, each illuminated by a spotlight. “I trust, Arthur Lewis Ormand, you will make a better attempt to stay on good terms with those who walk in the dark. You will need all the allies you can acquire, if you continue to confront these eldritch things.”

I don’t remember what I said in return, just feeling desperate to get out of there. Pike, Ingrid and I stayed close together while Bertrand and Ella walked ahead, talking in low voices. I glanced at Leticia, who gave me a relieved sort of smile.

On the way to the car I kept looking behind me, “In the Hall of the Mountain King” running through my head. When we got there Bertrand departed with a slight bow. We all let out a sigh. Except for Ella, none of us had said anything since we left the classroom.

“We totally could have taken those guys, you know,” said Ingrid.

The discussion between Ingrid and Pike on the way home, going through the various combat scenarios possible with Ingrid’s weapons and whatever objects we could find on site, helped make me feel a little less anxious about the whole encounter. Not by much though. I think Ingrid picked up on that, because she proposed that we all stop at her home before we went our separate ways. We wound up staying there until dawn.

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One comment on “Maestro

  1. Pike says:

    Ingrid said that we should have subdued them with the batons and then finished them off in the running water of the fountain, but I maintain we should have broken up the wooden easel with the schedule and used the shards as stakes. I mean, like, the ones who aren’t your vampire girlfriend’s friends, that is. But any way it went down, In the Hall of the Mountain King is a good choice for a score.

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